{"id":168,"date":"2013-04-18T22:36:00","date_gmt":"2013-04-18T22:36:00","guid":{"rendered":"http:\/\/ssgc.co\/2013\/04\/django-unedited-isaw-camera-videos\/"},"modified":"2013-04-18T22:36:00","modified_gmt":"2013-04-18T22:36:00","slug":"django-unedited-isaw-camera-videos","status":"publish","type":"post","link":"https:\/\/singlespeedgoldcoast.com\/2013\/04\/18\/django-unedited-isaw-camera-videos\/","title":{"rendered":"Django Unedited: Isaw Camera Videos"},"content":{"rendered":"
<\/div>\n
<\/div>\n
I begin to see how Quentin Tarantino<\/a> movies are soooo long. Word has it that Pulp Fiction<\/a> was originally edited in a different sequence, in chronological order, with the movie ending with the death of Vincent, one of the main characters. Producers (read: the guys with power and money) didn’t like that so it got re-edited into it’s current format. That story might be complete bullshit but it does highlight the fact that external pressures to cut shit can be good when moving images are concerned. Too fucking bad his reputation as auteur prevents any decent leverage to edit his latter films. Rumours are this guy<\/a> was just supplying people who wanted to sit through Django Unchained<\/a>.<\/p>\n And so to my movies. This first is shot in the realist tradition and expresses mans desire to transcend the meaninglessness of his dull existence.<\/p>\n